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[\/et_pb_text][et_pb_image src=\u00a0\u00bbhttps:\/\/africologne-festival.de\/wp-content\/uploads\/2025\/02\/Yael-Koutouan_1.jpg\u00a0\u00bb alt=\u00a0\u00bbYael Koutouan 1″ title_text=\u00a0\u00bbYael Koutouan 1″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n
Ya\u00ebl Koutouan (elle\/lui) est noire et positionn\u00e9e comme queer. Elle a \u00e9tudi\u00e9 le th\u00e9\u00e2tre \u00e0 l’universit\u00e9 Johannes Gutenberg de Mayence. En 2022, son m\u00e9moire de master \u00ab Machtspiele im Theater – Rassimus als belief system \u00bb a \u00e9t\u00e9 publi\u00e9 aux \u00e9ditions Tectum. Elle y adopte une approche critique et ph\u00e9nom\u00e9nologique et associe l’analyse des repr\u00e9sentations, l’interview et l’histoire coloniale allemande \u00e0 sa propre biographie. <\/p>\n
Ses int\u00e9r\u00eats de recherche se situent dans les domaines des \u00e9tudes raciales et postcoloniales. Depuis f\u00e9vrier 2023, elle est auteur ind\u00e9pendant pour Theater der Zeit et depuis octobre 2023, elle \u00e9crit occasionnellement pour Theater heute. Ya\u00ebl Koutouan est \u00e9galement membre du jury des Rencontres th\u00e9\u00e2trales de Berlin 2026. <\/p>\n
Elle a une exigence critique envers la discrimination et l’intersectionnalit\u00e9 dans son \u00e9criture et son travail dans le domaine culturel et souhaite ouvrir des espaces aux voix et contre-r\u00e9cits migrants de la soci\u00e9t\u00e9 urbaine.<\/p>\n
Elle soutient africologne en tant que curatrice depuis 2025.<\/p>\n
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Rencontrez l’\u00e9quipeYa\u00ebl KoutouanYa\u00ebl Koutouan (elle\/lui) est noire et positionn\u00e9e comme queer. Elle a \u00e9tudi\u00e9 le th\u00e9\u00e2tre \u00e0 l’universit\u00e9 Johannes Gutenberg de Mayence. En 2022, son m\u00e9moire de master \u00ab Machtspiele im Theater – Rassimus als belief system \u00bb a \u00e9t\u00e9 publi\u00e9 aux \u00e9ditions Tectum. Elle y adopte une approche critique et ph\u00e9nom\u00e9nologique et associe l’analyse […]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":51801,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"difl_page_category":[],"class_list":["post-51205","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/africologne-festival.de\/fr\/wp-json\/wp\/v2\/pages\/51205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/africologne-festival.de\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/africologne-festival.de\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/africologne-festival.de\/fr\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/africologne-festival.de\/fr\/wp-json\/wp\/v2\/comments?post=51205"}],"version-history":[{"count":7,"href":"https:\/\/africologne-festival.de\/fr\/wp-json\/wp\/v2\/pages\/51205\/revisions"}],"predecessor-version":[{"id":51532,"href":"https:\/\/africologne-festival.de\/fr\/wp-json\/wp\/v2\/pages\/51205\/revisions\/51532"}],"up":[{"embeddable":true,"href":"https:\/\/africologne-festival.de\/fr\/wp-json\/wp\/v2\/pages\/51801"}],"wp:attachment":[{"href":"https:\/\/africologne-festival.de\/fr\/wp-json\/wp\/v2\/media?parent=51205"}],"wp:term":[{"taxonomy":"difl_page_category","embeddable":true,"href":"https:\/\/africologne-festival.de\/fr\/wp-json\/wp\/v2\/difl_page_category?post=51205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}